100 Words Almost Everyone Confuses And Misuses (The 100 Words)

100 Words Almost Everyone Confuses and Misuses (The 100 Words)

Product Description

The 100 Words series continues to set the standard for measuring and improving vocabulary, with a new title focusing on words that are best known for getting people into linguistic trouble. 100 Words Almost Everyone Confuses and Misuses is the perfect book for anyone seeking clear and sensible guidance on avoiding the recognized pitfalls of the English language.

Each word on the list is accompanied by a concise and authoritative usage note based on the renowned usage program of the American Heritage Dictionaries. These notes discuss why a particular usage has been criticized and explain the rules and conventions that determine whats right, whats wrong, and what falls in between. Troublesome pairs such as affect / effect, blatant / flagrant, and disinterested / uninterested are disentangled, as are vexing sound-alikes such as discrete / discreet and principal / principle. Other notes tackle such classic irritants as hopefully, impact, and aggravate, as well as problematic words like peruse and presently.

A great graduation gift or stocking stuffer for anyone who cares about language, 100 Words Almost Everyone Confuses and Misuses is guaranteed to help keep writers and speakers on the up-and-up!

Rate Points :3.5
Binding :Paperback
Label :Houghton Mifflin Harcourt
Manufacturer :Houghton Mifflin Harcourt
ProductGroup :Book
Studio :Houghton Mifflin Harcourt
Publisher :Houghton Mifflin Harcourt
UPC :046442493338
EAN :9780618493333
Price :$5.95USD
Lowest Price :$1.90USD
Customer ReviewsFun to flip through
Rating Point :3 Helpful Point :0
This is cute book that is fun to flip through and keep with your dictionary. It is essentially just a small dictionary and beyond definitions doesnt go into detail on entomology.

I got 88 Words almost everyone confuses & misuses
Rating Point :3 Helpful Point :0
Before mailing my book to me, someone took the liberty of making the book shorter by detaching a few pages from the spine. Oh well. Its a good toilet reader. If you already have a strong English background then you probably wont benefit much from what this has to offer. There were very few words I came across that I confuse or misuse irregardless was one of them.

Easy Encyclopedia of Misused Ordinary Words
Rating Point :3 Helpful Point :0
"100 Words Almost Everyone Confuses and Misuses" is meant for the closet lexicographer, or self-righteous vocabularies junkies like myself who love to watch TV and laugh at the errors of speakers. Naturally, we want to protect ourselves from the same fate, and heres where the editors of the American Heritage Dictionaries have helped us out.

100 words are here, from adverse to zoology. All will be familiar, but not all will be known. Troubling words, like discreet and discrete, are not only defined thoroughly, but clearly, with examples in common speech. Misuses are explained, and, before we become too smug, we discover words we too have confused.

Words like impeach are included. In this case, it is not because there is a homonym, but because its definition has been misunderstood in popular language.

You will not invest either much time or money in this tiny treasure, but you might learn something. I have, and so then, I fully recommend "100 Words Almost Everyone Confuses and Misuses."

Anthony Trendl
http://AnthonyTrendl.blogspot.com

100 Words Almost Everyone Confuses
Rating Point :4 Helpful Point :2
An excellent introduction to commonly misused words. Although
basic, the book could be a useful tool for the average speaker
and writer of English.

Words Some People Confuse
Rating Point :2 Helpful Point :1
Not for advanced readers. This is pretty rudimentary stuff and is really for someone who doesnt read or write much. Price and format are both good. Might be a good gift for a high school student who is daunted by English courses.

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Bibliophile's Dictionary: 2054 Masterful Words And Phrases

Bibliophiles Dictionary: 2054 Masterful Words and Phrases

Product Description

The ultimate reference tool for word lovers, The Bibliophiles Dictionary compiles the most challenging words readers are ever likely to encounter in great literature. This invaluable guide:

-Shares comprehensive definitions for more than 3,600 words, more than twice the words found in competing titles

-Provides examples of how each word is used by classic and contemporary authors

-Is uniquely organized by theme, giving it a fun, browsable feel, and includes an alphabetical index for those looking up words traditionally

Avid readers, booksellers, editors, and other word-based professionals will welcome having a wealth of words at their fingertips, thanks to this masterful tool.
Rate Points :5.0
Binding :Hardcover
Label :Writers Digest Books
Manufacturer :Writers Digest Books
ProductGroup :Book
Studio :Writers Digest Books
Publisher :Writers Digest Books
EAN :9781582973562
Price :$16.99USD
Lowest Price :$5.75USD
Customer ReviewsA dictionary worth reading. Truly a unique resource.
Rating Point :5 Helpful Point :13
To read Websters is to fall asleep. To read Miles Westleys dictionary is to be engaged and fascinated. This is a remarkable compilation. Consider the pages turned by the author to arrive at such a dictionary. A real treat to read or simply peruse.

A book of words and phrases which gather unusual phrases organized into specific categories such as myths and household objects
Rating Point :5 Helpful Point :5
Miles Westleys Bibliophiles Dictionary is another winner for aspiring writers this offering a book of words and phrases which gather unusual phrases organized into specific categories such as myths and household objects. If youre seeking an atypical collection of words to amaze and puzzle - and to sprinkle liberally into tired writing to give it some spice - Bibliophiles Dictionary is for you, encouraging both browsing and reference.

The Bibliophiles Dictionary
Rating Point :5 Helpful Point :0
This book is a must read for lovers of words and lovers of literature!You can find common and not-so-common words from a la mode to zoysia -- and a line from literature to show the context!

What this book really is....
Rating Point :5 Helpful Point :1
What this book is.... is a wonderful, interesting, and useful tome of unusual words. I wont try to impress readers with my literary pedigree on why I love this book but just give the facts. I needed a book to learn new words and increase my vocabulary.CHECK! I wanted a book that would give me words to allow me to better convey my understanding of subject matter like religion, language, and philosophy in an impressive and intelligent way. CHECK! I wanted a book to help me find the RIGHT word quickly and easily. CHECK! I wanted words that were accessible and useful, not archaic and esoteric words that impede and retard communication by their cryptic nature. CHECK! I wanted to know the proper pronunciation. CHECK! I wanted an index. CHECK! I wanted usage examples and word origins. CHECK! I wanted something small to read wherever. CHECK! And finally, I wanted a diversity of subject matter. CHECK!
I would also like to tell anyone thinking of buying this book to do so. I can now describe the world around me in quite impressive fashion. Seldom am I at a loss for words and this book is a part of the reason why. The hardcover edition is compact and attractive. Great job Mark.

Thank you Miles for this high brow entertainment! Hilarious!
Rating Point :5 Helpful Point :6
I flip to a random page each night, absorb a few words that I never knew existed, and then attempt to casually incorporate them into my conversations with good friends the following day.

Viola - the reaction written across peoples faces is worth every penny and then some. The furrowed eye brough, the wrinkled nose, the subtle tilt of the head, the raised chin, the sudden and incontrollable itch on the forehead, the fluttering of the eyelids, the deer in the headlights, that look of utter amazement and on and on.

I cant wait to try this out when the Hare Krishnas knock on my door.

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100 Words Every Word Lover Should Know

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Product Description

The newest title in the popular 100 Words series, 100 Words Every Word Lover Should Know is the perfect book for people who enjoy reading about words that have absorbing histories, intriguing coinages, surprising but useful meanings, or have been used by famous writers throughout the history of English.

Many of these 100 words are accompanied by notes that explain in detail the path the word has undertaken in its journey to its current meaning, providing useful etymological information about how the usage of a word develops over time. Additionally, 100 Words Every Word Lover Should Know features scores of quotations from classical and contemporary authors, from Henry James and Jane Austen to Sylvia Plath and William Golding, Douglas Coupland and Donna Tartt.

A great gift for anyone who appreciates the beauty, history, and depth of the English language, 100 Words Every Word Lover Should Know will appeal to all who are avid readers and take pride in a vibrant, active vocabulary.

Rate Points :3.0
Binding :Paperback
Label :Houghton Mifflin Harcourt
Manufacturer :Houghton Mifflin Harcourt
ProductGroup :Book
Studio :Houghton Mifflin Harcourt
Publisher :Houghton Mifflin Harcourt
EAN :9780618551460
Price :$5.95USD
Lowest Price :$1.15USD
Customer Reviews100 Words
Rating Point :2 Helpful Point :7
Some words are wonderful to know. Others are once-in-a-lifetime kind of words and they should not really be included as one of the 100 words. And some of the examples they use by quoting actual text from old writings do not make these words any more useful in the modern context. Over all, not very useful.

This is Fun
Rating Point :4 Helpful Point :1
I enjoy this book. I just place it somewhere where one of us (my family) might sit down to relax, and its fun to pick up and page through. Often I learn a new word -- or a more accurate definition/new usage for a word I already use.

Its inexpensive fun.

A great list with a couple of oddities
Rating Point :4 Helpful Point :22
Admittedly, I am a word freak. Because I fear losing words, I bought this little book as a refresher. A mistake: There are fourteen words I did not know and two that drew less than satisfactory definitions from my mind. Now should I really admit this to the public after claiming I love words? Absolutely, an honest wordaholic is the only kind with respect.

Gravamen
Nope, could not define, but can now: "the part of a legal charge that weighs most substantially against the accused."

Nictitate
"To wink. Used especially in connection with birds...a transparent eyelid that closes to protect and moisten the eye."

Sesquipedalian
"Given to or characterized by the use of long words."
Ex., "the sesquipedalian prose of scientific journals."

Gemutlichkeit
"Warm friendliness, amicability."
Derived from the German "congenial" and "spirit or feelings"

I thought I knew gravamen, but could not adequately define the word, so it is one of the 16. The other one--not a clue, although "sesqui" is 16, and "ped" is foot, so 16 feet, but that did not take me any further.

I am keeping "100 Words" in an advantageous spot to pick up and review the old words and learn the new. Even though I am not given to using sesquipedalian words in daily speech, I can locate it in a sentence and will try to do so soon. Otherwise, I am just nictitating the reason for learning them. If taken to a jury, I would suffer the gravamen of negligent use. Even so, the judge and jury might exhibit gemutlichkeit toward me, but such an act will change nothing and I will begin spewing glossolalia toward them and the audience in defiance.

So much for time off for good behavior! I am behind before I even begin! Bon mot! That pretty much means Word up!

This is a waste
Rating Point :1 Helpful Point :0
This book was a waste. If it were better written, it could be reduced to 5 pages and not lose any of the words.

100 Words Every Word Lover Knows
Rating Point :1 Helpful Point :1
Word lovers know or should know almost every word in this book. Its really a book for people who dont love words but think they want to. The format is good and the price is right. Maybe its a good stocking stuffer for a young person who likes to read and write.

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Rate Points :4.5
Binding :Paperback
Label :William James & Company
Manufacturer :William James & Company
ProductGroup :Book
Studio :William James & Company
Publisher :William James & Company
EAN :9781887902892
Price :$15.00USD
Lowest Price :$9.80USD
Customer Reviewsattention all word-nerds!
Rating Point :5 Helpful Point :0
Do you say "offen" and like to make fun of the people who say "of-ten" instead???? Then this handy calendar is for you! Have fun proving your vocabulary superiority, and maybe even learn something along the way. My journalist husband comes home with a new nugget of knowledge for me every day :) Highly recommended!

Very good
Rating Point :5 Helpful Point :0
I bought the book because I know the website. The book looks great, I really like the drawings. Very clever, very useful and makes a good present, too.

Very useful, especially for non-native speakers!
Rating Point :5 Helpful Point :0
This is a very good book, and it is essential for anyone linguist or person who wants to speak or write English well. I really like that the book covers a lot of areas, from "style" (hyphenation), French (and other languages I believe, but mostly French) words (hors doeuvres), to the difference between "disc" and "disk." The first one is the one of music CDs because theyre laser CDs, whilst the other one reproduces the data "magnetically," as in a "hard disK" Isnt that interesting?

Im an English teacher in a country where English is very necessary, but most people (and many professors/teachers) still make a lot of mistakes that shouldnt happen. This is not an ESL/EFL guide, but its certainly VERY fun to read, and even if youre a native speaker Im sure that youll find some interesting and curious things. That said, imagine how much a non-native can gain from this book!

I totally recommend buying this book! Plus, it has drawings!

P.S.: Theres a new 2nd edition that has just been released, Ill be buying that one too and comment on the differences with this one.

Wrong year calendar.
Rating Point :1 Helpful Point :0
I thought it was a 2009 calendar, but it was for 2008. Both copies are useless.

Really, a fun read
Rating Point :5 Helpful Point :0
I should warn you that I sat down in the middle of a busy day when I first received this and read it for an hour. Now I keep it in the kitchen to continue reading while I wait for the microwave to finish my meal. I absolutely love it, and I cannot agree with the person who thought any seventh grader would know this information. Well, maybe while he or she was still in seventh grade, but I just find it delightful to discover someone who still believes it is wrong to say "Me and Harry went to the movies." It is particularly upsetting to hear professional newscasters and other speakers making that mistake. Ouch! Im afraid it will become standard in spite of people like Paul Brians.

And how great it is to find someone who still knows the difference between "imply" and "infer." Then to find that he really understands the ins and outs of "data/datum." I still cringe when I hear "data" used to refer to the singular, but I suppose I have to yield to "progress" in the language. I still believe that the research papers I read (and occasionally supervise on the thesis level) refer to several bits of information when the word "data" is used.

I must say, though, that writing this is a bit scary. I expect someone to pick on my poor usage somewhere. Oh well, so be it. Ive had the pleasure of a bit of ego massaging in being able to say "Yep, I knew that." Oops! I dont find "yep" in the book. Anyway, its fun.

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Rate Points :4.5
Binding :Paperback
Label :A K Peters Ltd
Manufacturer :A K Peters Ltd
ProductGroup :Book
Studio :A K Peters Ltd
Publisher :A K Peters Ltd
EAN :9781568814186
Price :$19.95USD
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Customer ReviewsNot exatcly what I expected
Rating Point :4 Helpful Point :0
I expected to learn how to solve riddles. This book does offer a lot of riddles. What makes it unique though is its wide range of different type of mind bending puzzles. It is quite the challenge and worth the buy.

Simply Innovative
Rating Point :5 Helpful Point :3
Unlike many puzzle books out there, this one contains all original and never-before-seen puzzles only. A treat the most avid puzzle fans may expect from any book by the Grabarchuk family of puzzle designers.

108 entertaining puzzles with detailed solutions from a diverse range of disciplines: Visual problems, mind benders, coin/matchstick puzzles and word challenges. A significant number of puzzles also include unexpected tricks to be discovered.

Simply innovative, and not-so-simple indeed.

Great Puzzle Book
Rating Point :5 Helpful Point :3
These puzzles are highly original, and quite different from what you find in most puzzle books. I was impressed with the large variety of challenges presented. Why do word puzzles all day when you can cross train your brain with spatial, math, visual, and logical problems? This book has them all. The illustrations that accompany each puzzle are also very nice. Get your thinking caps on, though-these highly enjoyable puzzles are "Not-So-Simple"!

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In Nonplussed!, popular-math writer Julian Havil delighted readers with a mind-boggling array of implausible yet true mathematical paradoxes. Now Havil is back with Impossible?, another marvelous medley of the utterly confusing, profound, and unbelievable--and all of it mathematically irrefutable.

Whenever Forty-second Street in New York is temporarily closed, traffic doesnt gridlock but flows more smoothly--why is that? Or consider that cities that build new roads can experience dramatic increases in traffic congestion--how is this possible? What does the game show Lets Make A Deal reveal about the unexpected hazards of decision-making? What can the game of cricket teach us about the surprising behavior of the law of averages? These are some of the counterintuitive mathematical occurrences that readers encounter in Impossible?

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Rate Points :4.0
Binding :Hardcover
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ProductGroup :Book
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EAN :9780691131313
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Very Best Of

Very Best of

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Customer ReviewsIm am so glad I found this CD!
Rating Point :5 Helpful Point :5
Im a casual opera fan and I admit that until a few days ago I didnt even know who Mirella Freni was. Then a friend, whose taste I respect mentioned that an Italian lady named Freni was the second greatest Violetta hed ever heard. He went into raptures and I decided that I had to hear this woman. This morning I bought the CD, put it in my player and was astounded and delighted to hear one of the sweetest voices I have ever heard in my life. Mirella Frenis singing is simply beautiful.

A great voice and a great lady!
Rating Point :5 Helpful Point :3
Mirella Frenis singing even today when shes over sixty still teaches all the young sopranos a lesson how a voice can be preserved. Her singing is lovely, creamy and colourful. Shes by far my favourite Liu and part of the Mimi-Triumvirate: Victoria de los Angeles, Maria Callas and Mirella Freni. Her first Mimi with Nicolai Gedda was a revelation, the complete set is a must for ever Puccini-Lover. And despite its not being idiomatic and her poor French her Juliette is riveting and lovely. But my favourite Freni-role will always be Elisabetta in Verdis "Don Carlo" which she sang to perfection on a live-recording from La Scala (Abbado) featuring Carreras, Ghiaurov, Obraszowa etc. etc. An amazing set for those who want to know why Mirella is still adored today!

What a wonderful voice!
Rating Point :5 Helpful Point :1
I first heard Mirella Freni singing at a movie theater in downtown Peoria, Illinois in the mid-1960s it was a theatrical version of "La Boheme," with Nicolai Gedda singing the tenor role on screen. I was enchanted! Ms. Freni was born in 1935 and made her debut in her home town in 1955 (according to the notes accompanying the two CD set). Her singing cuts across a number of styles--from Mozart to Gounod to Puccini and Verdi, with a stopover with Bellini and Donizetti. She chose her roles carefully, to preserve her voice. Results are most satisfying!

Some cuts well depict her singing.

"Si mi chiamano Mimi": This hallmark aria from "La Boheme" captures her vocal skills well. She exhibits a lovely voice and suits Mimi beautifully. She catches the pathos--and hope--of the character. This rendition is smoothly sung, with no problems as she moves from one register to another.

"Addio. . .Dionde lieta usci": This affecting work from Scene III of "La Boheme" is ravishingly and poignantly sung. Her voice is lush and free of affectation.

"Un bel di": From "Madame Butterfly," she essays this famous aria. Well rendered. Her voice suits Puccini nicely. Again, smooth progression from one register to another.

"O rendetemi la speme. . .Qui la voce. . .Vien diletto": I had never thought of Freni as singing the bel canto repertoire, but she does a nice take of this redoubtable coloratura piece. The early aria is well sung. Just so, "Qui la voce." Her effort at "Vien diletto," the wonderful cabaletta, is wonderfully musical. There is some ornamentation, but no trills or other tools of the standard coloratura repertoire. If ytou want the "real deal" coloratura version, listen to Joan Sutherland or Sumi Jo. Nonetheless, a touching version.

"E strano. . .Ah! fors e lui. . .Sempre libera": A well sung version from Verdis "La Traviata." There are many approaches to this piece--from Sutherlands heavily coloratura version to Scottos and Moffos more musical, more character-rich versions. Freni tends more to the latter than the former and compares well with both.

In fine, a nice 2 CD set that well shows off Mirella Frenis work. Anyone interested in this fine sopranos corpus would be well advised to take a listen!

A Superstar To Remember
Rating Point :5 Helpful Point :5
I fell in love with opera because of Mirella Freni. I heard her sing Mimi to Pavarottis Rodolfo in La Boheme about 30 years ago. Hearing this CD was like seeing a long-lost love, and appreciating them even more this time around.

Freni was a Puccini specialist, and you get an embarrasment of Puccini riches on this CD. Of course, you get the arias "Si, mi chiamano Mimi" and "Addio...DOnde lieta usci" from La Boheme. Those also feature the incredible Niccolai Gedda. I sure would have liked it if they threw in "O soave fanciulla" as well. You also get arias from Tosca, Madama Butterfly, La Rondine, Gianni Schicci, Suor Angelica, and Turandot.

But wait, theres more! I had not heard Freni sing Micaela until this CD. Wait until you hear the "Je dis que rien ne mepouvant". It will set you free. Then she throws in "Comme autrefois" from Pearl Fishers. Donizetti, Cilea, Mascagni, Massenet, Bellini, Gounod, Mozart, even Verdi(!)...all here.

There was one thing I found unusual about this compilation, and that was the noticeable absence of "Dove sono" and/or "Porgi amor". I mean, those roles are clearly in the reach of any lyric soprano. I did a little research, and found that she really didnt sing the Countess role in Figaro, she sang Susanna! OK, so lets just say her voice was on the light end of the lyric fach. If thats the case, it makes selections from Tosca, Butterfly, Traviata, Turandot, and Forza kind of curious, doesnt it?

In the end, it doesnt matter. This is an awesome compilation from one of the greatest sopranos of all time. No one is like Freni, and no opera lover should be without this performance record.

Highly recommended.

My growing affection
Rating Point :5 Helpful Point :7
Freni is a soprano I didnt much care for in the past. For some reason I took her for granted and didnt listen to her records a lot. However, in search for an lyric soprano with ample coloratura to tackle bel canto roles as well, Freni was one of the few I could think of who had the qualities I was looking for unmistakeable Italian phrasing and musicality, a firm middle register with an easy top and a sweet timbre.

This new release is a great introduction to her big recording legacy. She didnt possess the largest instrument but her technique and wise choices allowed her to expand her repertoire in many areas. The lyrical roles such as Zerlina, Mimi, Liu suit her the best but notice how a more florid part like Norina in Don Pasquale or even the more demanding Puritani Elvira benefits from her firm lyric sound. She avoids the highest notes and if needed sings them carefully but everything is so charmingly sung that a single note cannot ruin the whole. Sincere classical singing does not lie in a single note. Even without the large voice these roles need, she handles the heavy Verdi parts impressively. "O patria mia" and especially Desdemonas scene are magnificient.

This collection has increased my admiration for this wonderful artist. If all the sopranos were flowers in a garden, Freni would be a lovely daisy.

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The Very Best of Renata Scotto

Rate Points :5.0
Binding :Audio CD
Label :EMI Classics
Manufacturer :EMI Classics
MPN :85108
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Publisher :EMI Classics
UPC :724358510829
EAN :0724358510829
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Customer ReviewsThe lush and skilled voice of Renata Scotto
Rating Point :5 Helpful Point :2
Renata Scotto was an esteemed soprano of the 1950s and 1960s and into the 1970s. She was known well for her characterization. She combined a rich, skilled voice with the ability to create characters on stage. This 2 CD set illustrates her art quite nicely.

Some illustrative cuts:

"Si, mi chiamano Mimi": This wonderful aria from "La Boheme" is natural for Scotto. Her smooth, rich voice captures the young Mimi nicely. There is a poignant characterization evident as well. She is a great stylist here, without some of the annoying affectations that occasionally mar singers performances. Nice transition from register to register.

"O soave fanciulla": This represents one of the great duets in opera. She and her partner, Alfredo Kraus, blend their voices most attractively. Kraus begins wonderfully when Scotto joins him, it is "goose bump city." A wonderful version of this duet.

"Qui la voce. . .Vien diletto": Scottos lush voice is attractive here. She is not a coloratura soprano per se, but her characterization is striking. There is a hint of vocal strain here and there there is also a bit of shrillness on occasion. But no big deal. The cabaletta is musical, but without much ornamentation.

"E strano. . .Sempre libera": One of Scottos signature roles was Violetta in "La Traviata." This was sung later in her career, and it shows. Her characterization is fine, but the voice is not what it once was. There is some harshness here and there the shift from middle to higher register is not as smooth as earlier in her career. Nonetheless, a compelling start and an animated "Sempre libera."

"Spargi damaro pianto": One thinks of Joan Sutherland or Beverly Sills here, not Renata Scotto. This was recorded in 1959, in her prime. This cabaletta is richly sung, without much ornamentation. While it is rather vanilla, there are nice staccato notes and a fine concluding high note.

"Un bel di vedremo": Ravishing. Thats the word Id use to describe her singing on this well known aria.

All in all, a very nice introduction to Renata Scottos musical corpus. Well worth listening to.

Great CD
Rating Point :5 Helpful Point :0
Renata Scotto is captivating in this very best collection of Opera Arias, I definitely recommend this CD.

The "Singers Singer"
Rating Point :5 Helpful Point :7
I am thrilled to write the first review of this CD. It is wonderful, and a must-have for fans of lyric sopranos and opera lovers in general.

This CD is a real treat, because it has recordings of Ms. Scotto at various stages of her career: the mid-late 50s, 60s, 70s, and early 1980s. It is instructive and interesting to hear the trajectory of her voice over the years, and priceless to hear some of the roles and arias she truly made her own.

Lets start with the earlier recordings, made between 1958 and 1966. Here is the Renata Scotto that took the world by storm after stepping in for an "indisposed" Maria Callas in 1953. These are truly awesome. One of my favorites is her "Una voce poco fa". She sings it like she was born to sing it. I can also imagine a very cute 24 year old Renata Scotto charming everyone as Rosina. But the highlight of this group is definitely the "Madama Butterfly" from the famous 1966 recording she made with Barbirolli. There are six full arias/duets, starting with "A! Quanto cielo!" and ending with "Tu? tu? piccolo iddio!" The "Un bel di" is sublime, and the "Vogliatemi bene" duet with Carlo Bergonzi was transporting.

She then includes two arias from "Nabucco". This is probably one of those problematic career roles many people fault her for. Abigail is a very strenuous role. The character is mad...through the whole opera. Shes constantly agitated and yelling. That means it is a scream fest for soprano. I just wince when I hear these arias. She does them OK, but really has to push.

The later selections show a mature Scotto. These recordings were made in 1980 and 1981. There are some amazing things here. I was least impressed by her three selections from "La Boheme". Her money notes in "Si. Mi chiamano Mimi" are unsteady and her vibrato kind of wide. But, you think, hey it happens over time, right? Then, you hear a recording of six selections from "La Traviata" from two years later. Incredible. The very difficult first big scene, starting with "E strano" and ending with "Sempre libera" was perfect. Her "Teneste la promessa" will break your heart. It was without a doubt, one of the best Violettas Ive ever heard.

And, before we end, her "Vissi darte" was the best Ive ever heard. It is an amazing performance by a woman, who at age 47, really understood what the aria is about. Ive heard it so many times, and by so many great singers. With Renata, I felt I was hearing it for the first time.

Brava Scotto and EMI. Thank you for this wonderful CD.

Highly recommended.

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Amazon.comThe bulk of this wonderful CD was recorded in l974, before the top of Scottos voice--always a bit acidic--had turned positively treacherous. Selections from six Puccini operas, Catalanis La Wally, and Mascagnis Lodoletta and Iris find her n

Very Best of

The Very Best of Victoria de los Angeles

The Very Best Of Victoria De Los Angeles

The Very Best of Victoria de los Angeles

Rate Points :5.0
Binding :Audio CD
Label :EMI Classics
Manufacturer :EMI Classics
MPN :75888
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Studio :EMI Classics
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UPC :724357588829
EAN :0724357588829
Price :$16.98USD
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Customer ReviewsIn Memoriam: A Tribute To The Late Victoria
Rating Point :5 Helpful Point :15
Victoria De Los Angeles died Saturday of heart failure at the age of 83 in Barcelona, Spain. The world of opera mourns her loss. She was a gifted soprano and a wonderful human being. On stage, she was able to directly speak to her audience and communicate with them in a very special and rare way that is not always seen today. She never hid herself behind a facade nor distanced herself from fans and audiences. She was born to sing opera. It was in her blood. This album showcases De Los Angeles in her most memorable and successful roles. Victoria De Los Angeles was one of the first singers from Spain to win worldwide acclaim. Others would follow- Placido Domingo and Montserrat Caballe. De Los Angeles is showcased in this album which may also serve as a tribute to the now late soprano.

Her voice was essentially full lyric with some spinto. Hearing her renditions of "O Mio Babbini Caro"- a signature soprano role, as well as "Ebben Ne Andro Lontana" from La Wally and her performances as Mimi, one is clearly treated to the truest form of a pure lyric soprano. Her voice is spunned gold, with sweet, warm, feminine textures. Her reperotire remained in the Italian and French. Of course, being Spanish, she was a leading singer in Spanish Lieder and romantic ballads. Her Art Songs in Spanish are full of elegance and grace. A champion of obscure composers, she sang and recorded recitals that featured the works of lesser known composers, though strictly Lieder and Folk/Art Song.

Victoria De Los Angeles is fortunately a well-documented artist. Some film footage exist of her performances. I seem to recall that there exists a taped performance of her Violetta in Verdis La Traviata. She excelled in the lyric roles of Mimi in Puccinis La Boheme, Marguerite in Gounods Faust. Her Madame Butterfly is a pure lyric rendition, with less of the dramatic intensity other singers have given the role- i.e. Leontine Price, Maria Callas, Renata Tebaldi, etc. But her Butterfly is actually the way the role ought to be sung. Its a voice of grace, naivete and above all romance that must colorize Butterfly. The dramatic intensity only makes her sound older and madly passionate. She is only a fifteen year old girl who has been deceived and betrayed. She must remain youthful sounding. De Los Angeles does justice to the truest form of Butterfly. She was thrilling in French and Italian operas and her Spanish songs were briliant and beautiful.

Victoria will always be remembered. She was a unique and talented artist of the lyric repertoire. Her pure, lovely voice was like an angels. There will never be another Victoria De Los Angeles. With her death, the end of an era also passes. In particular, I will always remember one reported incident. She was about to make her first recital in America but she had no accompanist- pianist/guitarist etc. When asked how she would handle this, she remarked: "Well I brought my guitar with me". And she proceeded to accompany herself with the guitar.

A n angelic voice
Rating Point :5 Helpful Point :6
De los Angeles ability to sing with elegance and style has rarely been equalled and never been surpassed. Shes the greatest Charlotte in "Werther", the most tender Santuzza in "Cavalleria Rusticana" and the most sumptuos Nedda in "I Pagliacci". Her Lieder-Recordings are legendary, my favourites are the Spanish ones of course. What a piano-culture and what a velvet sound! Get this set, its cheap and it has GREAT singing!

The very best performance by Victoria de los Angeles
Rating Point :5 Helpful Point :0
Is the recording on Allegro records of her performance of Madame Butterfly in New Orleans in 1954, not the Rome recording. She is simply radiant, perfect, a voice truly that is a victory for the angels. Unbelievably marvelous.

Very nice introduction to the work of a great soprano
Rating Point :5 Helpful Point :0
This 2 CD set is a terrific introduction to the body of work of Victoria de los Angeles. As the "liner notes" point out: "She was an artist who brought individuality and a sense of joy to everything she performed. . . ." And this is not hyperbole. She was a top soprano in the middle part of the twentieth century.

Some cuts exemplify her art:

"Un bel di" is a ravishing version of this well known aria. She demonstrates a rich voice with fine musicality. This is a ravishing version of this aria. The singer displays good vocal control. There are nice transitions across the registers.

"Si, mi chiamano Mimi" is another well known work for sopranos. Again, nicely done. She appears (to me anyhow) to catch the spirit of Mimi very nicely indeed.

From "La Traviata," she essays "E strano. . .Sempre Libera." This is an affecting version. She does not have the coloratura armamentarium that some have brought to bear on this aria, but she does a fine job nonetheless. She seems to capture the desperate spirit of Violetta in "Sempre Libera."

Rossinis "Una voce poco fa" is a nice tour de force for sopranos. De los Angeles does a nice job here. This is a work from the Bel canto repertoire, but she does well. She shows vocal agility and captures the spirit of the work. This is an affecting, charming version. There is some occasional vocal harshness, but not a serious issue.

From "Carmen," "Lamour est un oiseau rebelle." Richly and nicely sung.

Her range on this CD is worth noting: from Puccini and Verdi to Wagner to Rossini to Gounod.

And then another of her specialties--songs. She does a nice turn with the Spanish song "Malaguena." Then, in a nice twist, she accompanies herself on guitar in "Adios Granada." Im not normally so excited about songs, but in this case I found her work enchanting.

So, if you want to get a sense of the artistry of Victoria de los Angeles, this is an excellent starting point. Highly recommended!

the genius of de los angeles
Rating Point :5 Helpful Point :7
the incomparable de los angeles combines exquisite sound and nuance to the world of superb singing. her mastery of a variety of styles is astounding and yet it always sounds natural.her magic will live forever.

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Rate Points :5.0
Binding :Audio CD
Label :EMI Classics
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MPN :75891
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Customer ReviewsEarly Caballe, covering the range of her opera roles
Rating Point :4 Helpful Point :4
Leaving the hype aside, EMI would have been more accurate to entitle this 2-CD ssurvey "Opera Arias by the Young Caballe." In the whole generous 151 min. there are only 6 songs to represent her extensive recital repertoire, and no Zarzuela. For those items you have to go to rCA. Here we get Caballe mostly from the Seventies (1971-79) with bits form the early Eighties.

The reviewers below have given deserved praise to Caballes abilities as diva. My onw opinion is that she was better on records than in the opera house. She wasnt gifted as an actress and cut a short, wide figure onstage. But as a vocal actress on disc she was very convincing, despite her over-reliance on pathos and delicacy. One longs at times, amid all the beauitful floated notes, for more spine and guts to her heroines. (I find her acclaimed Aida, for example, a one-note portrayal.) Lady Macbeth needs to be more sinister, Elisabetta more tragically enduring.

In all, this two-fer serves as a fine survey of her early career, and for listeners like me, who dont necessarily buy Caballes complete opera sets, it may be all we need.

Cut-and-Paste Caballe
Rating Point :5 Helpful Point :10
This two-disc recital draws heavily upon two Caballe recital discs (a Bellini/Verdi recital, and a recital of Puccini arias), with some extra material thrown in. At the end of disc one, there are also some Spanish songs thrown in, a good choice, since Caballe sang these songs extensively in her many recitals.

For Caballe fans that already own the backlist of her recitals, there is not enough here to entice you to buy this new recital, unless you like the unique combination of arias. Tracks 1-5 on disc one are wonderful interpretations by Caballe of Verdian arias. I especially like the one from Macbeth- perfectly executed, with the pianissimi in all the right places. Equally as thrilling is her Tu Che Le Vanita, a dramatic, long aria that shows off the interpretive power she was capable of, when she wasnt in a lazy mood. As for the Ave Maria, I find it curious that they chose to cut the preceding Willow Song. In my mind, you can have a Willow Song on a sopranos recital disc without the Ave Maria, but it seems inappropriate for the reverse to be the case. Personally, I dont think that Caballe has anything on Mirella Freni, who is perhaps the most perfect Desdemona of her era.

I must admit to not having heard Caballes interpretations of LAltra Notte and Voi Lo Sapete. To imagine Caballe singing Santuzza really seems like a stretch to me. My favorite Santuzzas are Callas, Bumbry, and Verrett (in that order). Of course, Caballe did sing a lot of roles, and it isnt impossible that she could do justice to the aria, but I just cant imagine it, try as I might. A final selection worth mentioning is the aria from William Tell, from a supreme bel canto recording of Rossinis masterpiece.

Tracks 1-11 on the second disc are culled from her famous Puccini Arias recording, with the exception of In Questa Reggia from Turandot (a role that she would sing very late in her career, as opposed to the more familiar and suitable-for-her-voice role of Liu). What is notable is what didnt make the cut. Listeners will be deprived of her heart-wrenching, powerful interpretation of Sola, Perduta, Abbandonata, with its sinister clarinet obligato. They will also miss out on an enchanting aria from Puccinis little known and rarely staged Le Villi. This is a shame, since the original Puccini Aria disc is currently out of circulation.

The rest of disc two focuses on Bellini, in the form of I Puritani and Il Pirata. Listeners will be treated to both the polacca and the mad scene from Bellini final opera. Caballe, of course, cannot hold a candle to Joan Sutherland, who was a true coloratura soprano (Caballe was more lyrical), but she isnt bad, either, as Elvira. The Bellini role that would garner her more acclaim was Imogene from Il Pirata. This two-disc recital draws to a close with her divine reading of Imogenes mad scene. This is the stuff of operatic legend.

All in all, minor quibbles aside, this is a great introduction to those not familiar with Caballes grand art.

REALLY GOOD !
Rating Point :5 Helpful Point :6
IVE BEEN LOOKING FOR SO LONG THE "PUCCINI ARIAS" ALBUM AND ITS ALMOST COMPLETE IN THIS COMPILATION. ENJOY THE PURE VOICE OF MONTSERRAT WITH THIS GREAT COLLECTION OF GREAT ARIAS BY VERDI,PUCCINI,BELLINI,ROSSINI,ETC. YOULL NEVER REGRET.CLEAR SOUND DIGITALLY REMASTERED.

A great collection of diva Caballes best singing
Rating Point :5 Helpful Point :5
This is a great collection of caballes eternal art.All the songs here have been remastered and sound wonderful.The very best of,contains a nice selection of caballes greatest verdi singing.Her rendition,heard here,of una macchia e qui tuttora(macbeth)is the best one in recorded history.She sings it with such beauty,feeling,and power,not to mention the most ethereal pianissimo high Dflat to ever caress the ear.All of the arias on this disc amply demonstrates her mastery of bel canto, and italian opera for that matter.In signore,ascolta from turandot,another memorable performance from Caballe,she sculpts this aria beautifully like a master craftsmanending this piece with a ultra high pianissimo bflat,which she holds out all the way to the final bars of the music,for an astounishing 15 seconds.One of the most beautiful notes to ever float from the human throat.Other noticable mentions would be her pace pace mio dio,her ave maria from othello,col sorriso dinnocenza from il pirata,as well as an entire spanish recital(recorded in 1979,in good voice)are all include hereand much more besides.There is also a nice picture of a young, beautiful, and thin Montserrat Caballe on the cover.The cd booklet includes exstensive linear notes and five rare photes of this divine soprano,who has both a heart and voice of pure gold.

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Rate Points :3.5
Binding :Audio CD
Label :Artone
Manufacturer :Artone
ProductGroup :Music
Studio :Artone
Publisher :Artone
EAN :4011222226051
Price :$16.97USD
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Customer ReviewsAmount of music
Rating Point :2 Helpful Point :4
The sound on this recording is wonderful. One has no problem of appreciating the unique Lucia Popp. The price is very enticing too. The only problem is that the amount of music on all 4 CDs is about 170 minutes, istead of usual 300 minutes these days. This is nearly half the normal length.

Incredible bargain!!!
Rating Point :5 Helpful Point :3
This four CD set of Lucia Popp samples every area of her luminous art, one of the most compelling soprano voices of the last fifty years, cut short by an early death. Her musicality, her transcendant way of inhabiting every thing she sang and bringing it alive is abundantly available. For anyone not acquainted with her, this is a bargain introduction.....

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